Additional material published March 4, 2005:
CORRECTIONS AND CLARIFICATIONS.
Don Wycliff incorrectly implied in his Thursday column that the "Alley
Oop" comic strip no longer exists. "Alley Oop" is still produced and,
according to a spokeswoman for the syndicate United Media, appears in
about 600 mostly small newspapers.
I haven't had much personal use for the comics pages since they got rid
of "Alley Oop" sometime back in the Stone Age. But as the Tribune's
public editor, I don't have the luxury of just ignoring those pages.
Readers won't let me, as I discover anew every time anything at all
unusual happens to the comics.
"Hey, `Boondocks' is a comic
strip," an irritated Paul McWilliams of Chicago wrote in an e-mail
Monday. "The Feb. 28 strip deleted by the Tribune censors was funny.
And it did not, as stated by the Tribune, present inaccurate
information as fact. There was one undenied fact presented and one
plausible supposition.
"If the Tribune wants to prevent
inaccurate information from being presented as fact, it shouldn't print
anything President Bush says about Social Security, the war in Iraq or
his budget."
Let the record show that what Mr. McWilliams calls
censorship we at the newspaper call editing. What he and a dozen or so
other readers were complaining about was the decision of Geoff Brown,
the associate managing editor for features/lifestyles, to not publish
the Monday and Tuesday "The Boondocks" strips.
Brown said the
problem was the same on both days: "The Boondocks" creator Aaron
McGruder had characters stating as fact things that were not.
One strip showed a character, Caesar, looking at a newspaper--some
would say that was the real fiction--and relating to another character,
Huey, the news that "[President] Bush got recorded admitting that he
smoked weed."
To which Huey replied: "Maybe he smoked it to take the edge off the coke."
Funny, perhaps, but only if you ignore that Bush was not recorded
admitting that he smoked marijuana. As Brown pointed out in a heads-up
memo in advance of the strip's publication date, "All reputable news
sources reporting [on] the tapes were careful to draw INFERENCES, but
no one can say Bush admitted to drug use."
The other strip
contained the same error, with a voice from Huey's television
announcing: "Reportedly, a conversation in which President Bush
admitted to smoking marijuana was recorded by Doug Wead."
Again, the punch line in the next panel depended for its humor on the
false setup. But, Brown stated in his memo, "Even in a satirical comic
strip, you can't present as fact something that isn't fact just to make
a joke work."
Brown applied the same standard a few weeks ago
in pulling the "Prickly City" comic strip for one day. That strip had a
character announcing that Sen. Edward Kennedy (D-Mass.) had made a
statement at Secretary of State Condoleezza Rice's confirmation hearing
that Kennedy had not actually made. All to the end of setting up a
punch line about Kennedy's actions at Chappaquiddick, Mass. Brown's
action in that case provoked a similar protest.
Hey, say the
readers, these are the comics pages for crying out loud! These are
little fictional worlds wherein animals think and talk, where
characters go for years or decades without aging, where no reader
expects the usual journalistic standards to prevail.
Brown has
a different view and he makes no apologies for it. He invokes a trinity
of standards--taste, accuracy and fairness--that he considers his
responsibility to enforce, even on the "funny pages."
Monitoring the comics for political accuracy and fairness was not a big
concern in the past, he said, because few strips dealt in topical,
political humor and satire. Garry Trudeau's "Doonesbury" for many years
was the only such strip in the Tribune.
Now, he says, there are
three: "Prickly City," "The Boondocks" and "Doonesbury." With such
comics, he said, come all the issues of fairness and accuracy that
political commentary anywhere in the newspaper must confront. Brown
doesn't say it, but he might as well have: A commentator is entitled to
pick and choose his opinions, but he can't pick and choose his facts.
Do strips like these three belong on the comics pages at all? Shouldn't they be on the paper's opinion pages?
Brown offers two responses to those frequently asked questions. The
first is: Why deprive the Commentary page of space it can and already
does use for good prose commentary? In other words, if it ain't broke,
don't fix it.





